(Congress applauding)
Overwhelmingly, we as a nation,
we are convinced that military...
[Man] It has pleased almighty God in his wise ways
to take out of this world the soul of our deceased brothers.
We therefore commit their bodies to the ground.
Earth to earth. Ashes to ashes.
Dust to dust.
(indistinct singing)
Forgive us our trespasses
as we forgive them who trespass against us.
And lead us not into temptation
but deliver us from evil.
For Thine is the kingdom, and the power, and the glory.
(Congress applauding and cheering)
(train horn blowing)
(train clattering)
Next stop, Overbrook.
All tickets for Overbrook.
(train clattering)
Next stop, Overbrook. Overbrook, next stop.
All tickets for Overbrook.
There you are, young fella.
I bet you're looking forward to putting your feet
under Mama's table one more time, yes, sir.
Overbrook, 20 minutes to Overbrook.
All tickets for Overbrook.
Thank you, Madame.
Do you have one for the little fella there?
(train clattering)
J Look away, look away, look away, Dixie Land J
J In Dixie Land where I was born &
J Early on a frosty morn, &
J Look away, look away, look away, Dixie Land J
Let me have a beer, will you?
J Away, away J
J In Dixie Land I'll make my stand to live and die in Dixie J
Thanks.
J Away, away, away down south in Dixie &
J I was born early on a frosty morn &
J Look away, look away, look away, Dixie Land J
J In Dixie Land I'll make my stand to live and die in Dixie J
J Away, away, away down south in Dixie &
Give me a beer.
I'm sorry, soldier, but I can't serve
coloreds, nor Indians.
Hey.
This man just fought a war.
I know, sir, but I can't serve no colored or Indian.
That's company rules.
His color didn't ask you for a drink.
He did.
J In Dixie land where I... &
(train bell ringing)
(train clattering)
(train horn blowing)
Now you heard what the man said.
Now you and Bojangles get on to the back
of the train, where you belong.
Yeah.
Shirley Temple and Bojangles.
You made two mistakes today.
One was getting up, and the other
was making fun of Shirley Temple.
(punches striking)
(banjo music)
(glass smashing)
(punches striking)
(indistinct chattering)
(punches striking)
Come on, watch his hands there.
[Man] Go take the nigger trail, nigger lover!
(banjo music)
(gentle guitar music)
J Think of all the things that money can buy J
J A home you can call your own [
J And a pleasure for your eyes J
J And think of all the things &
4 that a dollar bill won't bring J
¥ Like someone 10 hold you close
J And a song for you to sing &
J Then think of all the years that it takes to be a fool &
♪ Like the lessons you learn in a lifetime I
J Like your lifetime was a school
J Then think of the all the things &
J That don't turn out what they seem J
I Like the love you you thought owned and the American dream &
&' The American dreamer, sometimes a thinker &
J Sometimes a schemer &
J Sometimes a child &
J Sometimes a wise man J
J A lonely soul J
J A great extremer [
J But nonetheless the American dreamer J
J The American dreamer ♪
♪ Sometimes a thinker, sometimes a schemer
♪ Sometimes a child, sometimes a wise man §
J A lonely soul J
J A great extremer [
♪ Nonetheless, the American dreamer §
(birds singing)
(wings flapping)
(gun firing)
Go get them, Sugar, get them, boy.
(dog barking)
Remember, that's part of your dinner too.
(dog barking)
Now where is that dog?
(dog barking)
(birds singing)
Now where'd that dog go?
(dog barking)
Sugar?
(soft dramatic music)
Is that Kylie?
(soft music)
I can't believe it.
(soft music)
Thank you, Lord.
This is the day I've been waiting for (laughs).
I can't believe it, Kylie.
I didn't know you was coming home.
I didn't know.
Hey, you look good.
Jesus.
Huh, you old bastard, you look good.
(laughing)
They don't even clean you up before they send you home.
You're still bleeding.
Kylie, you're home. That's all that counts.
Hey, let me take a look at you.
You know something? You aint as skinny as you used to be.
That's because I didn't have to eat
any of your cooking, that's why.
(laughing)
Oh boy.
Good to see you home, Kylie.
(harmonica music)
That was your daddy's.
He wanted me to play it when you come home
because you loved it so much when you was a kid.
(birds singing)
(fence crashing)
There's no money to do anything around here, Kyle.
I try, but there's no money.
No money to do anything. No money.
When your daddy was sick, all his money went to doctors.
I didn't have any money to fix the roof.
I can't get up on the roof to fix that thing.
And I aint got no money to get somebody to fix it.
You see, it's just a question of money.
(goats bleating)
Now that you're home, maybe between the two of us,
we can get this place straightened out.
Yeah, maybe we can.
(gentle guitar music)
It's all rotten around here. Be careful, Kylie.
You see, it's all falling apart.
I just can't do it by myself.
(wood banging)
Careful, Kylie.
Floor aint so good around here, you know.
(gentle guitar music)
(wood banging)
Can't fix nothing.
[Kyle] How's the equipment?
[Gumshoe] You mean the truck? She runs when she wants to.
That truck makes as much noise as a tractor.
[Kyle] Well, I got $300 mustering out pay.
We'll get the truck fixed first.
Kylie, I been saving something for us.
Ha ha, you old rascal.
I knew you kept something up around here.
Is it like you used to make it?
Strong enough to move a Model A
that's been sitting for a year.
Say, you're falling apart here.
I'll fix it for you later.
Oh, come on, forget it.
I've got a real good place for it.
(upbeat music)
[Broadcaster] 1940, '41.
The United Nations have inflicted upon the Germans
great defeat in open battle.
(upbeat music)
Their strength in the air and their capacity
to wage war on the ground.
(upbeat music)
And placed at our disposal,
great reserves of brave fighting men.
The tide has turned.
(upbeat music)
Nothing less than full surrender.
(upbeat music)
(horn honking)
(train horn blowing)
(people chattering)
(coins rattling)
Mr. Moore?
Good morning, Kyle, I haven't seen much
of you in town lately.
Well I've been pretty busy.
Yes, well I've, uh, I've been meaning
to come out to the farm to see you.
Have a chair.
About this foreclosure, there's really nothing
more I can do about it.
You owe a lot of money.
These taxes, they go way back.
And I really don't see the farm doing that much better.
It takes time to build a farm back.
We realize that, Kyle, and we gave you time.
Now when you came home with the Silver Star,
the town was proud of you and it wanted to help.
But that farm was losing money before your dad died.
He couldn't make it pay, and neither can you.
It's a different business today.
Can I have one more extension?
Kyle, sell it before it's too late.
A one-man farm can't make money today.
It just can't make money.
I just need more time.
One more extension.
(sighing)
All right, I'll bring it up again with the board.
(customers chattering)
Thanks.
I'll be hoping to hear from you real soon, Kyle.
(swing music on radio)
(cow mooing)
Shit!
(horn honking)
Oh, God dammit!
(car crashing)
(horn continually honking)
(dog barking)
Gumshoe.
[Gumshoe] What is it?
There's been an accident down there.
Come on, hurry!
All right, Mister.
Here, I'll, we'll get you out.
Gumshoe, hurry!
[Gumshoe] I'm coming, I'm coming.
- Grab his legs. - Watch out for the glass.
(flames roaring)
(dog barking)
(explosion)
Get him outta here, Kyle.
(dog barking)
That's it.
What's your name?
Just let me be.
Easy, easy. Come on.
Lay back, that's it.
(hard breathing)
Easy, easy, easy. Come on.
Hey, you got a bad cut there.
Now take it easy.
That's it.
What's your name?
Johnny.
Johnny O'Neal.
You sure was lucky, fella.
Kylie here just dragged you out in time.
Where you from?
(soft music)
Hey, what's your name?
I'm Kyle Martin.
This is Gumshoe.
I'd be much obliged if you answer his question.
({owl hooting)
In from the ci...
Oh, ow.
[Kyle] I took your gun, in case you were wondering.
Yeah.
Yeah, I was wondering.
(balls colliding)
(upbeat jazz music)
(patrons chattering)
(upbeat jazz music)
[Waitress] Lou, what happened to the change for Table Two?
And get me another pitcher of beer.
(upbeat jazz music)
Okay, just a minute.
Hey, Betty.
Yeah?
[Man On Phone] Telephone.
All right.
[Man On Phone] Betty!
All right!
Yeah.
Hi, Johnny.
What are you doing out there?
(patrons chattering)
Oh my God, you're kidding. Are you all right?
You sure?
I can't come. I'm working.
If you're all right, I'll send Corrigan
there in the morning.
Johnny, I can't here anything. Hold on.
Will you hold it down?
(upbeat jazz music)
Okay. Slowly, will you do it slowly?
Al right.
You sure you're all right?
Okay.
Hey, Johnny.
I'll wait for you at your place.
[Waitress] What happened to the change.
(patrons chattering)
(pool balls colliding)
How you doing, Betty?
Ugh.
Geez, you look like your dog got run over by a car.
What do you want, Weasel?
Come on, baby, be nice.
Let me buy you a drink.
Lou, give me two scotches and sodas.
You're a good-looking broad.
I can get you outta here and make you some real money.
Good stuff.
I mean real money.
Passini's got the hots for you.
Listen, punk, if that fat Passini is so hard up
to get laid, why don't you take
your mother outta retirement?
(patrons chattering)
Listen, bitch, one of these days you're gonna make
a mistake, and then it's all over.
And that goes for Johnny O too.
Don't let the door kick you in the ass, you puke!
(glass smashing)
(patrons chattering)
[Johnny] Morning.
Hey.
Morning, how are you?
Fine. Feel a little dizzy, but otherwise I'm okay.
I saw that car of yours this morning.
You're really lucky.
Yeah (chuckles), yeah, pretty lucky guy.
(cock crowing)
Hey, you guys get up real early around here.
Mm-hm.
Hey.
What the hell is that?
(birds calling)
(cock crowing)
(cattle mooing)
The Silver Star.
Now that's something.
I know what that's worth.
Why do you have it hanging on an old scarecrow?
Trying to teach the crows to say hero.
(birds calling)
(door opening)
Johnny, is that you?
[Johnny] Yeah.
Oh you look awful. Are you sure you're all right?
I'm fine, just a little bump on the head.
Here, let me see.
Let me see.
Don't pamper me. You know I don't like to be pampered.
I'm not pampering, I just wanna help. Let me see.
Corrigan, get me my robe, will you?
[Corrigan] Sure, boss, I'll get it.
Can I get you something?
Yeah, make me a drink.
How about some breakfast?
I'm not hungry. Make it a double.
Where's my Racing Form.
Got it right here, Johnny.
Betty, you shoulda seen that car.
Damn thing's completely burned, to a crisp.
He's a lucky guy.
You were lucky there was someone there to pull you out.
If it wasn't for that farmer, I wouldn't be here now.
Look, I want you to drive down to that farm tomorrow
and bring that farmer 1,500 bucks.
[Betty] 1,500, how come so much?
I figure my life is worth at least that much.
You didn't spend that much on your mother's funeral.
What was that?
Hey, Corrigan, let me have a pad and pencil.
Sure, boss.
You know, you're gonna like that farm out there.
I gotta get me a place like that someday.
Hey, Corrigan, he'd really look good
on a farm, wouldn't he?
You got those walkie-talkies for tomorrow's races?
Yeah, boss, I got them.
They work good too.
[Johnny] Good.
(siren wailing)
Hey, Johnny?
You're not placing bets with Passini's books again, are you?
And why the hell not?
Oh boy, you're really asking for it.
Shut that thing off.
Shut that goddam radio off, will you?
Sure, boss. I'm sorry.
Hey, you don't have to talk to him like that.
Mind your own business.
You know, I wasn't gonna say anything,
but last night Weasel came in
and made another pitch for Passini.
Did you hear what she said, about the Weasel and Passini?
Yeah, I heard.
So what else is new? You can take care of yourself.
I'm gonna hurt that Weasel real bad. I hate him.
Well tomorrow we're gonna wash Passini
for a big bundle on the races.
Oh, Johnny.
I mean, can't you pass on Passini's action?
No.
You don't need it.
(horn honking in distance)
That's it.
The fifth at the Bay Meadows. I'm gonna wash that creep.
(siren wailing in distance)
I'm gonna wash him good.
(music playing on radio)
Looks like we got some company.
(dog barking)
(chickens clucking)
Hey!
(chickens clucking)
I said hey.
Are you Kyle Martin?
[Kyle] Yes, ma'am.
I'm Betty.
Betty McCrail.
Well if you're selling something,
I don't think we can afford it.
[Gumshoe] Oh, man, we can't afford nothing.
Well, fellas, you know I really hate to disappoint you,
but I aint selling nothing.
I brought you something from Johnny O.
What is it?
$1,500.
You said 1,5007?
Yeah.
1,500.
J One for the money, two for the show [
J Three to get ready I
(laughing)
J One for the money, two for the show, three to get ready
I don't really know what to say.
You got, um...
I'll tell him thanks for you.
I mean, I can't...
(laughing)
Oh, that old coot of yours sure got rhythm.
He looks like he's coming in jiggers.
Look, lady, you delivered the mail.
Why don't you get your ass off my farm?
(insect buzzing)
(laughing)
(birds chirping)
(chickens clucking)
(dog barking)
(engine starting)
(announcer calling race)
Hold on, Johnny.
(horn honking in distance)
Come on.
(announcer calling race)
(crowd cheering)
Yeah, Pat's Dancer, got you.
Pat's Dancer.
(upbeat music on radio)
- Hey. - What?
Why wouldn't you wanna work with me?
All want's a booth. Do you think I can have a booth?
You can have any damn thing you want, baby.
You won't be sorry, I promise.
(kissing)
God dammit. You're something else.
Corrigan.
[Woman] Oh hi, Weasel.
Where'd you get those wheels?
No, Corrigan. Come on.
Hey, what are you doing? Leave it alone.
Keep your damn hands off that, you son of a bitch.
I'll kill you.
(arguing)
Come on.
[Woman] Come on, leave him alone.
Eddie, I'm gonna park this one, all right?
[Eddie] Okay, Weasel.
(soft upbeat music)
(horn beeping)
(siren wailing in distance)
(horn beeping)
(patrons chattering)
(siren wailing)
(siren fading)
This just won't help now, Kyle.
You're gonna have to come up with the full amount.
A partial payment won't do. We've got to have all of it.
(train chugging)
(pounding on door)
Yeah, yeah, yeah.
[Winston Churchill On Radio] The whole world,
including the United States.
Including all that we have known and cared for.
Passini wants to see you, John.
Passini?
What for?
I don't know, you know, Sam?
- Nah. - I don't know.
I got gas in my car.
I'll find my own way over there.
(door banging)
John, please.
Passini wants to see you.
All right.
- [Announcer On Radio] Ladies and gentlemen,
that was the prime minister of Great Britain,
Winston Churchill.
This has been international news.
Let's go.
(horn honking)
Hundred and 95.
Hundred and 86.
Like the place, Johnny?
All right, we'll have it out there by Friday.
All right, we'll see you real soon.
Right.
Okay, goodbye.
All right, take this.
Take care of that, huh.
And make sure you get the money first.
Where the hell have you guys been?
Hey, it took us a long time.
I been waiting her for an hour.
John, it's good to see you. I'm glad you could make it.
Heard about your accident. You gotta be more careful, John.
How's Betty?
Come on, stop the bullshit.
You didn't have me picked up and brought out here
in your fancy taxicab to ask me about Betty.
If you gotta know, she hates your guts.
Now what's on your mind?
We found a couple of tickets for the races,
couple of walkie-talkies in the trunk.
Now what do you think that's all about, John?
I don't know what you're talking about.
You don't know what I'm talking about, huh?
I'm talking about the $50,000 that you
stole from me, Johnny!
You past posted me on that race!
That's getting a little too smart, John.
I never past posted anything in my life.
You're just a poor loser.
You're the loser!
You are a loser.
John, I'm yelling and getting excited.
I apologize.
I didn't mean to do that.
It's very hot today.
John, if you wanted money, why didn't you come to me first?
You didn't have to steal from me.
Horseshit.
John, have you seen our place?
We own this now.
Come on, let me show you around.
This is your first time here.
Come on.
(train whistle blowing)
John, you don't wanna be embarrassed
in front of these boys here.
(train whistle blowing)
This is one of the most modern
and efficient laundries in the country, John.
Everything is automated.
We have a sorting room over here.
The laundry comes in on these racks.
Comes over to this stainless steel washer,
holds a 300-pound load.
After it's washed,
put into our dryer over here.
Passini, you been stroking me long enough.
Get to the point.
The point? Push the button.
(dramatic music)
That's the point, Johnny boy.
(dramatic music)
You scum.
You scum bastard.
(punches striking)
Wait a minute, wait a minute!
I got plans for him.
Sam, get the table. Doc, get the stuff.
Come on, get him on the table.
Get him up here. All right.
(dramatic music)
All right, that's it.
Strap him down.
All right, come on, Sam, let's go.
Just get the strap.
(arguing)
Sam, come on, over here.
Just hold onto this. Never mind!
Never mind.
Wake up, Johnny.
Wake up, will you?
Come on, hurry up!
Hurry up.
Johnny boy, stay right where you are.
The money, where is the money, John?
Come on, come on.
Johnny, where is the money?
You don't know where the money is, huh?
Tape his mouth.
(shouting)
Hold it, more tape. More tape, more tape.
[Doc] All right, take it easy.
Come on.
Johnny, what part of you do you think's
worth 50 grand, huh?
You don't know?
Well I'll tell you. It's your eyes.
We're gonna pop your lamps, Johnny boy.
Get the acid.
You better kill him.
Kill him? I want this guy alive.
I'm gonna make an example of you, Johnny,
and anybody that cheats Frank Passini.
I'm gonna have you blinded.
He's always been trouble, you take his eyes
and he'll still be trouble!
You heard what I said!
I want him blind.
Besides, by the time that whore gets a hold of him,
he aint gonna be much to look at.
(dramatic music)
Acid.
(soft dramatic music)
[Doc] Hold his head still.
(dramatic music)
[Woman On PA] Dr. Randle, please call the operator.
Dr. Randle.
Dr. Randle, please call the operator.
(chattering)
How you feeling, Johnny?
Which one did it, Johnny?
(soft music)
Can't you talk, either?
I couldn't see who it was.
Oh, I suppose you're gonna tell me that you didn't see
what they did to Corrigan, either.
(soft music)
So you know?
Yeah, I know.
Oh, Johnny, let's go to the police on this one.
No.
I want you to do something for me.
Sure, whatever you want.
I want you to go back down to that farm.
To the farm?
Just listen. God dammit, listen.
(soft music)
I want you to tell that farmer to come here
to the hospital, that it could mean a lotta money for him.
What do you want him for?
He's, he's a real...
Real what?
He's a real farmer.
Well you just tell him that.
He needs the money.
He'll come.
(soft music)
Okay.
Is that how you want it?
That's the way I want it.
You better leave the first thing in the morning.
Betty? You're a good woman.
You're always there when I need you.
Thanks.
Sure.
It's okay, Johnny.
(soft music)
(thunder banging)
(dog barking)
Worst cow I ever seen.
Come on over here, cow.
(dog barking)
(thunder banging)
(cock crowing)
I wanna apologize for what I said the other day.
You didn't have to come all this way.
A postcard woulda done.
I didn't have the address.
Is this a new tractor?
Yep.
You want something?
Johnny's in the hospital.
He's been blinded by acid that was thrown in his face.
(chickens clucking)
He says he needs your help, Kyle.
He wants you to come to the hospital.
He wants to talk to you.
It could mean a lotta money for you.
I don't know what he wants. He just wants to talk to you.
Please. Couldn't you at least do that?
(dog barking)
(train horn blowing)
He paid you pretty well for the last favor you did.
(birds chirping)
I like your car.
Yeah? Johnny gave it to me for my birthday.
You known him long?
What?
I said have you known him long?
We're just good friends.
[Woman On PA] Dr. Park, 561.
Dr. Park, 561.
[Betty] It's me. I got the farmer.
I know. I could tell.
I could smell his cigar.
(chuckling)
Betty, go powder your nose or something. I wanna talk.
Sure.
Hello, Farmer.
How you feeling?
I feel a little better.
Good.
You're still gonna lose your farm?
Things haven't changed.
Remember what you told me about your father?
About not joining the farmers' co-op?
Like I said,
I was never much of a joiner myself.
I never belonged to the outfit.
I never pushed any dope.
I was never a pimp or a killer. I'm just a gambler.
I beat them at their own game.
That's why they took my eyes.
(coughing)
I been planning this every minute I've been here.
It'll work.
- [Kyle] I don't follow you. What do you want me to do?
I want you to kill those scumbags that did this to me.
Hey, look, I need money bad,
but I'm not looking for trouble.
I'm offering you 50 grand.
For that kinda money, there's always trouble.
(siren wailing)
Why me?
Why don't your hire a professional?
You are a professional.
How many guys did you kill for the Silver Star?
That was war.
Bullshit, war!
Because your country asked you to kill some Germans,
maybe farmers like yourself.
Tell me.
Tell me it's wrong to kill some scumbags
that they'll never hang.
(exhaling)
They know every hitman in the country.
You, they'll never suspect. That's why it'll be easy.
If the answer is yes, come back here
ready to stay for a while.
I want this done quick.
(crickets chirping)
({man speaking on radio)
[Man On Radio] No criminal will be allowed to escape.
({owl hooting)
Thanks for driving me.
(frogs croaking)
Sure.
Why don't I, uh,
make us some coffee?
I'd love some.
(crickets chirping)
Oh, what a pretty night.
Did you ever see such large moths?
Watch your step.
Oh, thank you.
- Here, I'll uh... - No, I got it.
[Betty] I've never seen a kitchen like this.
You've even got a water pump.
Where are your cups and saucers?
In the cupboard over there, and turn the radio on.
(chattering)
(chattering on radio)
(frogs croaking)
(soft music on radio)
J There's only me and you J
J There's only love that's true
J There's really nothing new [
J We can depend upon J
J Whatever pleasures I was searching for &
J Outside your walls, outside my door &
♪ I can't remember anymore [
J They're gone, gone, gone [
J There's only me and you J
J There's only love that's true
J There's really nothing new [
J We can depend upon J
J There's only knowing how [
J We feel and knowing just where we stand
J There's only sharing every joy or pain
J The world may demand &
J There's only knowing how [
J And knowing what we do J
J There's really nothing new [
J There's only me and you J
(soft music)
(dog barking)
(birds singing)
(dog barking)
[Kyle] Morning, Clyde.
What's going on?
I'm sorry, Kyle. I'm real sorry, I really am, Kyle.
Mr. Woods sent me up here to put this sign up.
I'm sorry you didn't get that extension.
Oh, and Kyle, Mr. Moore said that if you wanted to come by
the bank tonight and see him, he'll be working on the books.
The auditors are coming next week,
and you know how nervous he gets about that.
Well goodbye, Kyle.
Yeah.
(dog barking)
(gentle guitar music)
J Think of all the things that money can buy J
J A home you can call your own [
J And a pleasure for your eyes J
J And think of all the things &
J That a dollar bill won't bring &
¥ Like someone 10 hold you close
J And a song for you to sing &
J And think of all the years that it takes to be a fool I
♪ Like the lessons you learn in a lifetime I
J Like your lifetime was a school
J And think of all the things that don't &
J Turn out what they seem J
♪ Like a love you thought you owned I
J And the American dream &
(gentle guitar music)
J The American dreamer ♪
♪ Sometimes a thinker, sometimes a schemer
J Sometimes a child &
J Sometimes a wise man J
J A lonely soul J
J A great extremer [
I Remembered as the American dreamer &
(crickets chirping)
Want some peas, Kylie?
({owl hooting)
(insect buzzing)
(dog barking)
Mr. Moore aint gonna help you tonight, Kylie.
He aint gonna help you ever.
He won't help poor folks.
Your daddy tried to get loans to help run this farm.
They didn't let him have it.
You're just wasting your time.
Believe me, Kylie.
(insect buzzing)
Please, Lord, don't let him lose this farm.
It's all his daddy had to leave him.
J Lonely and blue &
J Worried over you [
(crickets chirping)
(frogs croaking)
(dog barking)
Kyle?
(dog barking)
(horse whinnying)
(dog barking)
Hey, is anybody home?
(horse whinnying)
(frogs croaking)
Mm-hm.
(chickens clucking)
(dog barking)
(soft dramatic music)
Hello, Kyle?
Anybody here?
(soft dramatic music)
(gentle music)
(soft dramatic music)
(screaming)
Sh.
(hard breathing)
What the hell are you doing here, Weasel?
I just come to buy you a drink.
Aw, get the hell outta here, would you?
I want a drink, Betty.
I owe you a drink.
Get outta my way, Weasel.
Mm-mm.
I'm warning you. Open that gate.
Stay away from me.
Now be nice to me, Betty.
I said stay away from me.
Stay away from me, you some of a bitch!
I'm warning you. I mean it.
You're crazy.
I just wanna buy you a drink.
(upbeat dramatic music)
(screaming)
(upbeat dramatic music)
(screaming)
(dress tearing)
(screaming)
(dramatic music)
(screaming)
Hey, you bitch!
I'll hold you.
(shrieking)
(horse whinnying)
Al right.
(Betty shouting)
(screaming)
(hand slapping)
(screaming)
(screaming continues)
(dramatic music)
(screaming)
(dramatic music)
(screaming)
(dramatic music)
(soft music)
(gun firing)
[Betty] Leave me alone!
Leave me alone!
(screaming)
Shut up!
Dirty nigger.
(upbeat dramatic music)
(gasoline sloshing)
(upbeat dramatic music)
Are you crazy, man?
(gasoline sloshing)
(horse whinnying)
({match striking)
(flames roaring)
(Gumshoe screaming)
(screaming continues)
(horse shrieking)
You aint nothing.
(horse whinnying)
Nothing.
(horse whinnying)
Nothing.
Burn, bitch.
[Moore] Kyle, sell it before it's too late.
A one-man farm can't make money today.
It just can't make money.
(flames crackling)
(horse whinnying)
(dramatic music)
(horse whinnying)
(upbeat dramatic music)
(groaning)
(coughing)
(upbeat dramatic music)
(coughing)
(groaning)
Old man.
Old man!
(flames roaring)
(shrieking)
(upbeat dramatic music)
(horse whinnying)
(Betty crying)
God dammit!
What happened?
He's dead.
He's dead. He killed him.
Who's in there?
It's your man!
Gumshoe? Gumshoe?
(flames roaring)
(Betty shouting)
(flames roaring)
(birds calling)
[Gumshoe] I didn't know you was coming home.
I didn't know you was coming (laughs).
Mr. Moore aint gonna help you tonight, Kylie.
He aint gonna help you ever.
(gentle harmonica music)
J Sometimes a man must feel ill at ease &
I For a chance 10 make his stand &
I He either lives inside set boundaries &
J Or takes his boundaries into hand I
J Live inside the rational lives &
J Is all men draw &
♪ To be a man who is his own man, live outside the law &
(harmonica music)
[Johnny] Here's some information you'll need about them.
Their names, pictures, where to find them.
Betty's phone number and address in there too.
She'll be getting more information to you,
but don't be seen with her.
Meet outta town somewhere.
Eddie Lopez should be your first one.
His picture's in the envelope.
There should be an address for his mother.
That's your best bet.
He goes there every Friday night for dinner,
and he's always alone.
That's a good time to move.
By the way, he drives a new black Cadillac.
Earn your star now, Farmer.
This is the real war. This aint no bullshit war.
(upbeat dramatic music)
(door slamming)
(couple arguing)
[Man] Movies once a year. He's always late.
Always late.
(couple arguing)
[Woman] Never late. Never late.
All right, we just got three minutes.
Always late, everywhere we go, you're always late.
(soft suspenseful music)
(door closing)
(soft suspenseful music)
({match striking)
(soft suspenseful music)
(intense dramatic music)
(gasping)
(marching band playing "You're a Grand Old Flag")
(bagpipe music)
({marching band playing)
(elevator dinging)
(guest chattering)
({marching band playing)
What do you want?
Investments.
I just sold my farm.
You sold your farm?
What are you, a farmer?
Yeah, you look like a farmer (laughs).
Listen, uh, it's parade day, and I'm closed.
That's why I got scared like that.
Tell you what I'll do.
I'll be glad to help you if you can wait a few minutes.
Sure.
See, the parade is going by and I never miss it.
Do you like parades?
Maybe you'd like to watch it too, huh?
Come on. This is a real good spot here.
Enjoy yourself.
We'll get down to business in a few minutes.
Come on.
Pretty big parade.
(laughing)
They're beautiful, beautiful.
Such pretty little things (laughs).
[Kyle] You really like parades, don't you?
[Doc] Oh yes, yes. Yes, yes, I do.
Well, if you like it so much,
why don't you join it?
(Doc screaming)
({marching band playing)
[Frank] Somebody pushed Doc out his window.
First Lopie, and now Doc.
It's gotta be Johnny O.
I mean who else?
But there's somebody doing it for him, though.
Maybe, maybe that whore of his is doing the legwork.
Sam, you get to the hospital, now.
[Woman] Dr. Warner, wanted in radiology.
Dr. Snyder, line one.
(suspenseful music)
(dramatic music)
(upbeat dramatic music)
(phone ringing)
[Matt] Yeah.
[Frank] Is this Conners?
[Matt] Yeah, who wants to know?
[Frank] This is Passini, Frank Passini.
You did a job for me once before.
[Matt] Yeah, I remember.
[Frank] I got another job for you,
and it's gotta be done fast.
Can you get here right away?
[Matt] Okay, I'll check into the Sullivan Hotel today.
Have someone meet there.
I want 25,000, and I want it in advance.
[Frank] Just like the last time.
[Matt] Yeah.
(engine starting)
(soft suspenseful music)
(patrons chattering)
[Cook] Hey, two eggs over, pick up.
Want some breakfast?
No.
Hey.
Johnny never gave up.
(soft suspenseful music)
(sobbing)
Come on.
(soft suspenseful music)
(horn honking)
Johnny gave this to me to give to you.
What is it?
The money.
No.
(dishes clattering)
It's not, it's not important anymore.
(soft suspenseful music)
Yeah.
Be careful.
Meet you at the farm.
(soft suspenseful music)
You want something?
[Matt] Two packs of Luckies.
That'll be 50 cents.
(register clicking)
(soft suspenseful music)
(upbeat dramatic music)
(banging)
Hey!
(gun clicking and firing)
(screaming)
You won't be needing this car where you're going, Sam.
(gun firing)
[Frank] Weasel, find out what's going on out there.
Jesus Christ, what the hell's going on here?
(upbeat dramatic music)
(gun firing)
Son of a bitch. Passinil
He's out in the alley, and he got Sam!
You better get Conners, because I'm getting outta here!
(upbeat dramatic music)
God dammit, who locked this door?
(upbeat dramatic music)
What the hell's happened here?
Operator, operator!
Operator, operator, God dammit!
Operator!
(upbeat dramatic music)
Passinil
(gun firing)
Passinil! Passini!
Jesus Christ, he's in here.
(upbeat dramatic music)
(guns firing)
(upbeat dramatic music)
(guns firing)
(upbeat dramatic music)
(guns firing)
(upbeat dramatic music)
(gun firing)
(upbeat dramatic music)
(guns firing)
(upbeat dramatic music)
All right, that's enough!
I didn't do nothing. It's them other guys.
You're crazy.
(guns firing)
(upbeat dramatic music)
(gun firing)
(screaming)
Oh, Jesus Christ. Oh, Jesus Christ.
Don't do it. Don't do it!
That was for Betty. This is for me.
(gun firing)
(hard breathing)
(soft suspenseful music)
(birds calling)
(dog barking)
(birds calling)
(suspenseful music)
(birds calling)
(suspenseful music)
(train whistle blowing)
(birds calling)
(dog barking)
(suspenseful music)
(birds chirping)
(suspenseful music)
Chicks, come on.
(suspenseful music)
[Radio Announcer] They're going forward,
on the Russian front.
(soft romantic music)
(soft dramatic music)
(birds calling)
(dramatic music)
(soft music)
(soft dramatic music)
(cock crowing)
(soft dramatic music)
(birds singing)
(birds calling)
(birds singing)
I'll be damned.
Good old Shirley Temple.
(birds singing)
(engine starting)
(soft harmonica music)
J Sometimes a man must feel ill at ease &
I For a chance 10 make his stand &
I He either lives inside set boundaries &
J Or takes his boundaries into hand I
J Living inside the rational lives
J Is all men draw &
J But to be a man who is his own man &
S And live outside the law I
(harmonica music)